Dancehall is a Jamaican suitable music genre that emerged in the late 1970s. In the beginning, Dancehall began as a more stripped-down version of reggae than the roots style that dominated most of the 1970s. Digital instrumentation became much more common in the mid-1980s, significantly altering the sound, with digital dancehall (or “ragga”) being more defined by quicker beats or rhythms. Dancehall music is distinguished by its heavy usage of Jamaican Patois rather than Jamaican standard English and a concentration on song instrumentals (or “riddims”).
Dancehall first gained public popularity in Jamaica in the 1980s, and by the 1990s, it had spread to Jamaican diaspora groups. Dancehall achieved international popular success in the 2000s, and by the 2010s, it has begun to strongly impact the work of renowned Western musicians and producers, helping to further push the style into the Western turn mainstream.
Dancehall is called after Jamaican dance halls where popular Jamaican records were blasted by native sound systems.
They originated in the late 1940s among Kingston residents who were unable to attend uptown dances.
Social and political modifies in late-1970s Jamaica, including the transition from the socialist government of Michael Manley (People’s National Party) to Edward Seaga (Jamaica Labour Party), have been reflected in a shift away from more internationally oriented roots reggae towards a style geared more towards local expend and in melody with the music that Jamaicans had experienced when the sound symphony was released.
Social injustice, repatriation, and the Rastafari movement were overshadowed by songs about dancing, violence, and sensuality. Despite the fact that the thorough spirit was evident in Jamaica as a result of the social upheaval, the radio was highly conservative and refused to play popular music. It was this void that the sound system was able to fill with songs that the typical Jamaican was much more interested in.
Musically, previous rhythms from the late 1960s were recycled, with Sugar Minott attributed with starting the movement when he voiced new lyrics over old Studio One rhythms between sessions at the studio, where he worked as a session musician. Big Youth, U Roy, and I Roy were well-known DJs in the 1970s. At the same time, at Channel One Studios, producer Don Mais recreated classic rhythms with the Roots Radics band.
The Roots Radics would later collaborate together Henry “Junjo” Lawes on some of the most important early dancehall records, including those that launched the careers of Barrington Levy, Frankie Paul, and Junior Reid. Don Carlos, Al Campbell, and Triston Palma were among the other big talents to emerge during the early dancehall era, while the more established names like Gregory Isaacs and Bunny Wailer interface unit. You can read more on Wikipedia
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